For the first time since 2011, the Mardukite Truth Seeker Press is proud to offer the “Babylonian Magick” special arrangement Limited Edition Hardcover Grimoires — limited to ONLY 50 copies printed, numbered and signed by editor Joshua Free!
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THIS IS A LIMITED TIME SENSITIVE OFFER!!!
PRE-ORDER SPECIAL ARRANGEMENT ITEM ONLY!!!
LIMITED EDITION HARDCOVER
BABYLONIAN MAGICK – a grimoire – edited by Joshua Free Oversized! — 8.25″ x 10.75″
250 PAGES — illustrated, signed, numbered
BABYLONIAN MAGICK — A Grimoire of the Rites & Rituals of the Mardukite Anunnaki Tradition, first appeared in paperback as the 2012 Ceremonial Edition of “Mardukite Magick“ and is now being reissued by the Mardukite Truth Seeker Press in a special hardcover limited edition printing to commemorate the 5th Anniversary of the 2009 Beltane Mardukite Stargate ceremonial observance.
ONLY 50 COPIES of this limited edition numbered and signed hardcover grimoire will be made available to the public and Mardukite Chamberlains alike during this limited time offering!
Previous limited edition numbered hardcover editions of Mardukite Necronomicon publications have now been found selling for over $1500 online and on eBay! Don’t miss out on this incredible opportunity and investment into the Modern Mardukite Anunnaki Legacy!
During a “new age” of revivals in ancient paganism and earth oriented spirituality, people have flocked to the ranks of neo-paganism, Wicca, Druidry and Scientology, and for good reason: the state of the world is in demand for a complete shift in human awareness. And while H.P. Lovecraft may have been alluding to such a tradition nearly one hundred years ago (even if only subconsciously) and the 1960’s witnessed a gigantic practical rebirth in such traditions, it was really in the late 1970’s that a separate but synchronous mainstream awakening occurred: the renewed interest in the the most antiquated Sumerian and Babylonian mysteries, specifically the role of the Anunnaki, “Great Gods” who once roamed the Earth and became the figures of our ancient mythologies.
–excerpted from preface of the Necronomicon Anunnaki Bible by Joshua Free
Originally composed by Joshua Free and privately released by the Mardukite Truth Seeker Press in four installments during 2009, the NECRONOMICON ANUNNAKI BIBLE, currently in its 5th Edition, remains the cornerstone of the Mardukite Babylonian Anunnaki Tradition — the most important ancient and antiquated cuneiform tablet writings from the oldest religion of the past made clear for the modern revival of a NEW BABYLON and beyond!
Since the arrival of the NECRONOMICON by “Simon” and THE TWELFTH PLANET by Zecharia Sitchin in the late 1970’s, the most ancient mysteries of modern humans have become the primary focus of the occult underground. Why? Because they bring to light the “true tradition” of the Great Mystery School that has otherwise eluded even the pop-culture mainstream metaphysical world.
To be effective and progressive in our understanding and personal growth — to be able to glean more of the past than our faculties with their spoon-fed programming have so far allowed — we must be able to refine our awareness and interpretation of what we have been told by those charged to protect the past. For example, figures who appeared in our ancient mythologies as “Gods” were of common origin (including the very divine encounters referred to in the Old Testament and throughout the even more antiquated cuneiform tablets from which the Judeo-Christian worldview was originally adopted), called ANUNNAKI by some, and that this was a very important key to understanding the convoluted evolution of the original tradition that developed into the variegated systems now bursting from the new age.
THINK ABOUT THIS… if all of these concepts do centralize with some type of ancient alien inter-dimensional intelligences, then certainly the foundations of all modern religious, mystical and even anthropological lore are in serious need of reevaluation. Such a reevaluation is the intended direction of energy made by the current editor in shedding new light on these mysteries in a medium and at a time when they might be best received, or be prophetically found necessary.
Seekers from all over the globe have begun a mass movement toward the MARDUKITE path and for good reason: it makes sense – it is whole and complete, drawing from the most ancient origins capable of our understanding, making no excuses for itself and in it’s own self-evidence requiring nothing be taken blindly on faith. Looking back to the beginnings we find the origins for all of contemporary beliefs and life-structure among the ancient Sumerian and Babylonian lore. The echoes of these vibrations have been carried throughout all cultures since and are deeply ingrained or impressed on the entire consciousness field that the planet shares…
Highly sought after “Necronomicon Spellbook” heritage editions of Joshua Free’s underground bestselling Mardukite 2011 (Year-3) ‘Necronomicon Workbook’ and ‘Mesopotamian Magic’ cycle of materials returns in print and available to the public!
The Necronomicon Spellbook Trilogy combines to form a masterpiece archival library collection of mystical exploration into the heart of the ancient Mesopotamian Mysteries, this complete practical companion to the Mardukite “Necronomicon Anunnaki Cycle” illuminates the revolutionary teachings and source materials of the Modern Sumerian-Babylonian-Anunnaki Tradition of the Mardukite Chamberlains (Ordo Nabu Maerdechai), edited by Joshua Free, the presiding Nabu of the organization since its inception.
NECRONOMICON SPELLBOOK I The Magan Tablets of Magick & Creation
by Joshua Free
2011 — Year-3 Liber E
The Magan Text… The Enuma Elis… Long thought to be the fantastic concoction of wishful-thinkers, the fundamental basis for the mystical, magical and spiritual tradition born of Ancient Mesopotamia has come to life! Cuneiform tablet records of magick and creation are drawn together to reconstruct the most antiquated, powerful and legendary “magician’s primer” ever known to the minds of men — formulated by the ancient Sumerians and Babylonians!
NECRONOMICON SPELLBOOK II Maqlu Magick & The Dark Arts of Babylon
by Joshua Free
2011 — Year-3 Liber M
The Maqlu Tablets… An authentic “Necronomicon Spellbook” of Mesopotamian Magick drawn from the sands of Babylonia — as known to the Sumerians then reinvented in Babylon — forming a complete Anunnaki (‘alien sky god’) “grimoire” — a complete handbook dedicated to Enki, Marduk and Samas (Shammash) and used by magicians and priests for thousands of years to combat in wizards’ duels, reverse the effects of evil spells and curses, banish disease and nightmares, and conjure the protection and blessings of the gods!
NECRONOMICON SPELLBOOK III Crossing to the Abyss & The Underworld
by Joshua Free
2011 — Year-3 Liber C
To the Beyond… By whatever names it has been given, the part of this ‘advanced’, ‘esoteric’ or ‘inner circle’ work connected directly to the “Other”, in whatever tradition it is realized from, is the highest part of the ‘Great Work’ – that which all the rest seemingly culminates into or points toward. It has been considered ‘divine communication’ by some and ‘trafficking with the devil’ to others – but regardless of the view taken, the knowledge and experience of these crossings is never held without some regard, for better or worse!
In 2009, the Mardukite Chamberlains began releasing their underground publications as part of an extraordinarily extensive version of what many people’s debut into the realm of Mesopotamian esoterica had been – the NECRONOMICON.
The newly re-released nostalgia editions of the Year-3 “Necronomicon Spellbook” series make an excellent compliment to the 2009 nostalgia edition reissues of the original Year-1 “Necronomicon Anunnaki Bible” cycle of materials also available from the Mardukite Truth Seeker Press.
The original versions of the 2009 ‘Mardukite Core’ were all elaborately designed limited edition handcrafted tomes that later only appeared in the consolidated anthology titled ‘Necronomicon Anunnaki Bible’. It consisted of the ‘Necronomicon (of Joshua Free)’ (Liber-N) in June of 2009 and three subsequent titles, ‘Necronomicon Liturgy & Lore’ (Liber-L), the ‘Necronomicon Gatekeeper’s Grimoire’ (Liber-G) and the ‘Nine Gates of the Kingdom of Shadows’ or ‘Necronomicon Shadows’ (Liber-9).
The stories that fueled the public knowledge of the Necronomicon are highly influenced by the writings of H.P. Lovecraft. His own perceptions may or may not even be related in his work, for Lovecraft seemed to downplay the impact that his work should inspire and attributed all of his inspiration to dreams and night-mares.
THE TRUTH ABOUT THE NECRONOMICON is revealed by Joshua Free in combination with the work and legacy of the Mardukite Research Organization (Mardukite Chamberlains) found in the Mardukite Archives.
It was only after his death that his colleagues later dubbed the paradigm the “Cthulhu Mythos” and they continued to contribute to it. The tones and ideas reflective in the Lovecraftian paradigm are not only restricted to a book called the Necronomicon, but to an entirely new, alternative, counter-culture and ‘dark’ motif from which to view the world and life experience.
—Joshua Free, Liber 555
According to Lovecraft’s work, the primordial world is essentially “chaos” and the ‘gods’ which do battle in times forgotten will later have an impact on the psyche and life of those today. In fact, the entire ‘occult’ basis for the Lovecraftian paradigm is a devotion and ‘worship’ of this prehistoric ‘gods’.
The Great Old Ones being replaced by the Elder Gods becomes arbitrary when, following with Lovecraft’s perspective, there are those who secretly worship and feed these ‘evil’ gods throughout the ages in ‘cults’ – groups which seek to bring the Great Old Ones back into our time-space. This would effectively destroy the universe as we know it, returning it back to something reminiscent of the primordial ooze from which it has sprouted and devel-oped. This bleak and shadowy worldview is what drives the ‘horrific’ tales of not only Lovecraft’s work but anything that has been attached to it since, in oth-er literature, ‘rock bands’ and the like.
From the Lovecraftian perspective, the Necronomicon is an evil book that worshipers of these ancient cults use to honor the Great Old Ones (or Ancient Ones) in spite of their complete distaste for the human race and the fact the inviting such forces and energetic currents back into the realm that we know would be devestat-ing for all humanity. Of course, the teen-angst punker anarchist mindset doesn’t care about such things. The only aspect that would matter to these kinds of people is the fact that our world could be thrown into a state of discordia – and for many, this is what takes priority.
How any of these kinds of people can consider their left-handed and chaotic-evil pathways as any kind of true self-honest path to absolute enlightenment and the source is beyond me – though they will claim to be doing so; claiming that it somehow ‘suits’ them better and that everyone else is doing it wrong. Then they go back to their hedonism, narcissism, and pleasure seek-ing without any regard, always validating in their mind that they are “right” in their ways.
Being ‘stuck’ in old patterns is not simply restricted to the Necronomicon or even ‘mystical’ aspects in general. For similar reasons the modern “Mardukite” movement is predominantly made up of people who are in their twenties – or younger! Why? Because the new and next generations are not as interested in knowing things in the ‘fragmented’ way in which our parents may have been satisfied. The ‘older’ generations have no reason to change because they have had a far longer time to validate that things ‘are the way they are’ and who am I or anyone else to tell them different…
The concept of H.P. Lovecraft’s Necronomicon became inseparable from what literary fans and contributors would later call the “Cthulhu Mythos,” which was not really intended as a functional pantheon in itself, but was really a part of a cycle composing Lovecraft’s final works…
CTHULHU first appeared to the public in 1925 (by general consensus), a year after Lovecraft’s marriage. In this new cycle, he sought to give more definite forms to the thoughts and visions that had haunted his life prior. He sought to make sense of the universal reality as it had affected him – as his personal experience has dictated it to be so. Not surprisingly, this cycle of literature was just as sporadic and sparse as his earlier works – one must remember that they were being published as serials in a magazine called Weird Tales, and few of them are book-length as stand alone works.
CALL OF CTHULHU is a short story that debuts the figure that has now become a very familiar name among the left-hand-path, which is to say the “darker” and more “rebellious” aspects of the occult. One really is led to wonder what enlightenment is meant to be gained through the blatant disregard for natural order, preferring the love of chaos. Nonetheless, the darker aspects of the “mythos” are what has attracted the attention. This is not surprising given the retail attention given to such topics. A fluffier book on self-help candle meditation methods using incense and bath soaps has an appeal to lonely housewives, but for those who seek a more antagonistic approach to the “rebellious” nature that results from gleaning the “reality deception,” the system always provides.
CALL OF CTHULHU is essentially a “detective mystery” where-by the rites and activities of a very modern and active “Cthulhu Cult” are unveiled. While the esoteric lore and occult mystery runs deep, just as with any well-established cult in history, the means of enlightenment by “hippie” methods of free love, drunken orgies and the like, certainly leave much to be desired – though many do. Celebration of the lower is hardly a means to the high-er – those who mistake the secret power embedded very intentionally into the “sex gate” will find the experience to be just as physically, emotionally and spiritually disturbing and damaging as any of the other “gates” alluded to throughout the universal NECRONOMICON cycle. This is not to say there is not some validity to the methods – but the human psyche seems to muddle the “sexual” energies, and so it is not a preferred method to instruct in (or at least certainly not at the “neophyte” levels of occult instruction).
What can we say for humans? They were programmed to enjoy fucking so you wouldn’t confuse it with the act of killing – and the emotional charge to try make rational sense of both. If sex wasn’t made to feel good, for at the very least “evolutionary” purposes, the human race would have bred itself out into extinction a long time ago. The race has grown to hate each other, itself and everything “apart” from itself. How dismal, indeed – perhaps Lovecraft had a point or two after all.
“The most merciful thing in the world, I think, is the inability of the human mind to correlate all it contains. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piercing together of dissociated knowledge will open up such terrifying vistas of reality, and our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.” ~H.P. Lovecraft, Call of Cthulhu
LIMITED EDITION HARDCOVER
Mardukite NecroGate 