Joshua Free—Director of the modern Mardukite Research Organization—returns to YouTube for a “Mardukite TV” 10th Anniversary Reboot! This new series is dedicated to exploring the work of a New Thought movement known in public as the Mardukites.
As the underground esoteric authority on the Mesopotamian Necronomicon Tradition and its Mardukite Babylonian Anunnaki legacy, Joshua Free—and the Mardukite Chamberlains—are resurgent into public view, reintroducing a new generation of Truth Seekers to the once underground source book of the modern Babylonian Mardukite Tradition—
—available on October 30 this year, for the first time in a mainstream release as a 10th Anniversary Collector’s Edition Hardcover containing the complete Mardukite tablet library archives as originally developed during our first active year in 2009.
Evolution of Mardukite materials over the past decade were all movements toward perfection—one that the “Mardukite Truth Seeker Press” has only more recently been able to achieve! For the first time, the “Mardukite Core” is being completely reevaluated, revised and rewritten for a definitive series update, bringing our materials to new heights and greater accessibility, starting with the original primary source book—
The modern “Mardukite” movement has long been anticipating this amazing 10th Anniversary Collector’s Edition Hardcover of our most widely celebrated underground source book—the book that those in search of these ancient Mesopotamian mysteries are in search of, even over all former editions of these materials—“NECRONOMICON: THE ANUNNAKI BIBLE” globally released on Samhain 2018, an incredible value containing the complete materials from the first seven(7) underground discourses produced by the Mardukite Chamberlains in 2009—
—Necronomicon of Joshua Free (Liber N)
—Necronomicon Liturgy & Lore (Liber L)
—Necronomicon Gatekeepers Grimoire (Liber G)
—Nine Gates of the Kingdom of Shadows (Liber 9)
—Book of Marduk by Nabu (Liber W)
—The Maqlu Tablets (Liber M)
—Book of Sajaha (Shayaha) the Seer (Liber S)
All of these amazing materials are found within the pages of the amazing source book developed by Joshua Free for the modern Mardukite movement — “NECRONOMICON: THE ANUNNAKI BIBLE” available to the public for the first time as 10th Anniversary Collector’s Edition Hardcover!
SEXUAL MAGIC at an Outer Circle level (meaning what is publicly available) is called “Black Tantra” or simply sex magick. Practices promote ritual use of sexual orgasm and its fluids to raise and direct personal energy. As we are to find out when we roll the dice at the NINTH GATE, Black Tantra is the path back down the Serpent’s Tail, leading us away from experience of the Highest spirituality.
—Joshua Free in CYBERNOMICON
RED MAGIC merges sex magick with ceremonial attainment of occult power. Vampyric Rites of Starfyre intentionally charges the fluids of the body, which carry personal genetic material (DNA). This includes saliva, semen and vaginal sweat representing the White Dragon, Blood is necessary to balance the Red Dragon current-stream. Menstrual blood is one of the only materials powerful enough for these rites (due to its hormonal charge) representing the sacrifice of virginity.
Magicians engaging in sexual practice will involve their mates into their energy work. This is natural. By pairing with their mate, they attune to each other—the vibration frequencies meet in a mutual pool. Everyone has this happen to them, but that’s like saying everyone breathes so everyone is a master at yoga and meditation (which is not the case).
–Joshua Free in CYBERNOMICON
Spiritual Master, Samael Aun Weor speaks to his students in “Light From Darkness: The Practical Science of Spiritual Awakening” about the explosive power and dynamite explosion involved with the practice of Red Magic—that it can be quite dangerous or energetically destructive if not handled appropriately. Druidic Master, Douglas Monroe, describes quite the same principles from the philosophy of the Pheryllt Druids.
Samuel Aun Weor, explains:
Very deeply analyzing the astounding power of sexual energy, we arrive at the conclusion that it is extraordinarily volatile and very difficult to store and control. Sexual energy is like a deposit of dynamite; its presence signifies a formidable source of tremendous potentiality, and also a constant danger of a catastrophic explosion.
The sexual energy has its own channels of circulation, its own organized electrical system. When the sexual energy infiltrates the mechanism of other functions, it can produce great explosions, tremendous biological, physiological, and psychic catastrophes.
Violent and destructive types of manifestations of the sexual energy are generally derived from certain negative psychological attitudes towards sex. Sexual suspicion, fear of sex, sexual prejudices, the cynical, brutal, or obscene sense of sex, etc., obstruct the channels whereby the sexual energy circulates, and therefore the sexual energy deviates and infiltrates other channels, systems, and functions where it produces frightening catastrophes.”
The Ninth Gate or Ninth Kabbalistic Sphere is Yesod. Yesod appears to vibrate at the same frequency as sexual organs, when depicted on the Kabbalah of Man. This means that the key to accessing the Ninth Gate is embedded in human sexuality. This is also depicted in the film, “The Ninth Gate” starring Johnny Depp (based on the novel “Club Dumas”). At the end of the movie, his character accesses the Ninth Gate through sexual intercourse with the scarlet lady BABALON (or LILITH), green-eyed red-haired Lady of Night…
Discover the secrets of the most coveted tome of incredible grandeur and power drawn from the original archives of the Mardukite Research Organization…
THE GATES OF THE NECRONOMICON
The official guide to the Sumerian Anunnaki in Mesopotamian Religion and the Babylonian Magical Tradition!
The most critically acclaimed and bestselling materials from the Mardukite Research Organization now available in one volume!
GATES OF THE NECRONOMICON edited by Joshua Free
-Third Edition-
GATES OF THE NECRONOMICON is a highly innovative and accessible anthology featuring the the complete text from three installments: “Sumerian Religion: Secrets of the Anunnaki & The Origins of Babylon” (Liber 50), “Sumerian Religion II: Secrets of the Anunnaki in Babylonian Mythology” (Liber 51/52) and “Necronomicon Revelations” (Liber R) in a single incredible compilation!
HERE is the definitive work in its much anticipated revised and expanded 3rd edition; the original companion volume of the Mardukite Chamberlains developed from their second active year of research in 2010!
Arriving on the surface world from the underground – an amazing insight into the Anunnaki ‘alien gods’ and the establishment of human civilization famously accounted by the Sumerian and Babylonian traditions. Prolific writer, JOSHUA FREE, presents this topic such as the modern world has never before had access to, developed from the revolutionary work conducted by the next generation of Seekers actively using a revival Anunnaki tradition in the present day.
THIS SPECIAL ANNIVERSARY EDITION IS AVAILABLE EXCLUSIVELY FROM THE MARDUKITE TRUTH SEEKER PRESS FOR ONLY $22.95!!!
Sumerian Religion: Secrets of the Anunnaki (Liber 50) is not merely the presentation of dry academic renderings of obscure tablets; Sumerian Religion will take you on a progressive journey that is just as relevant and critical today as it was thousands of years ago! A perfect practical companion to the study and pursuit of any and all systems, displaying the primordial origins of human traditions on the planet, a fundamental truth that all can benefit from. Originally designed and released in 2010 exclusively underground for the Mardukite Chamberlains as “Liber 50”, this amazing tome stands alone – unique as it is practical – revealing the nature, origins and traditions of the the Anunnaki Alien Gods of Mesopotamia (Sumerian, Babylonian, Akkadian, Chaldean, Assyrian, etc.), which the public has previously only known through nearly insubstantial communications.
Babylonian Myth & Magic (Liber 51/52) is unparalleled in displaying the post-Sumerian mystery tradition of the ancient Babylonians, now accessibly comprehensible with this book to any seeker for the first time in modern history. Revealed within are the very methods by which Babylon rose to power from seemingly prehistoric nothingness and how these very real systems born in the Ancient Near East are still with us today!
Finally, in Necronomicon Revelations (Liber R), after nearly two decades involved with this work, prolific writer and Mardukite founder, Joshua Free, candidly reveals how these ‘spiritual beings’ have influenced the imaginations of ‘metaphysical’ writers and artists increasingly in the last century – ‘primordial gods’ seeking to have their stories told or reborn. What’s more, these forces appear to be behind all of the systems installed into human civilization and consciousness, both social and mystical, since the time of the Sumerian Anunnaki.
Now, at the cusp of a ‘New Age’, the mysterious development of “Simon’s” infamous edition, haunting narratives of H.P. Lovecraft, Thelemic work of Aleister Crowley, otherworldly communications by Kenneth Grant, the Nine Gates of the Kingdom of Shadows, a resurgence of interest into ‘ancient aliens’, and mainstream Cthulhu Mythos revivals by Enochian magicians like Donald Tyson all seem to be pointing toward something – some inevitable theme setting the stage for the destiny of mankind for the approaching era, uncovering the most dangerous truth about life, the universe and everything: The Great Deception of a systematic light-matrix reality under the control of the Anunnaki – the real otherworldly Gatekeepers of Life, Death & Existence.
“Those who cannot remember the past are condemned to repeat it. Only the dead have seen the end of war.”
–George Santayana
Sadly, it is only when manifested art and literary creations are brought out of the “shadows” that it becomes the subject of public scrutiny – in the public – in the realm of the light: where the work does not belong in the first place…
When the Simon Necronomicon was first released, a very select few were privy to this ‘type’ of understanding concerning a truly archetypal, pre-classical and pre-Christian methodology – a root system by which many other branches of the tree were later formed and perceived as separate, whether because of semantics or their locale in time and geography. Even those supposed occultists and New Agers at that point had very little background in the mythos being dealt with – which was not at all Lovecraftian, or even Sumerian as many other believe, but Babylonian!
Based on Mardukite Babylonian research, the Necronomicon paradigm is a very serious subject, well beyond the scope of Lovecraftian fantasies, that those of us who have been “blessed” to be involved in its necessary consciousness-changing return for modern times, take very seriously. Unlike many of the Necronomicon critics out there who simply scream “hoax” to anything that bares the title, the current Mardukite institution is more sympathetic toward the paradigm shift provided by the Simon contribution.
It is not Sumerian in origin as many thought and as its own editors profess. While it is true that Sumerians occupied the space geographically linked to its birth-place, but their tradition is not actually evident in the work other than what was absorbed into the later tradition that the Simon work is actually based – Babylon.
The idea that the Necronomicon tradition is “nondenominational” (as its Simonian editors relate) is also a false assertion. It is clearly laced with the Mardukite-specific spiritual politics found strongest in Babylonian traditions and literature, which are often mirrored in Egypt. Among these, of course, being the centralized veneration of MARDUK-RA as the “Lord of the Gods,” something entirely absent in the previous original Sumerian Tradition.
Following the idea presented in the Lovecraftian work more than the actual content drawn from Mesopotamia, the Necronomicon was presented as that all-too-familiar long-lost sorcerer’s “black book,” the “most dangerous and powerful” on the planet. In some ways, the hype is justified. The work was certainly monumental for its time, and even remains a cornerstone today, although its efforts have since been surpassed by the work of the Mardukite Research Organization.
Very few, even those who had studied cultural folk mythologies and other pagan pantheons revived by the “mystical movements” of the last centuries, had gained any access to or understanding of the ancient Mesopotamian methodologies that predated all the rest. This change in human consciousness was not only monumental, but intentional – an integral part of a larger picture where spiritual forces have indeed been directing the course of many events in recent past. Among these were some many profound ventures in the 1970’s that bridged the 60’s to the 80’s via visions and manifestations that some might have never conceived of prior. The music changed. The media changed. The very colors being perceived in the world changed – more real, surreal and yet wholly artificial.
A new Babylon – a new Mardukite age – was rising…
The technological age was counter-balanced with an extreme sense of “fantasy” and “spiritual occultism,” such as human civilization had not seen for a very long time. It was a necessary program to be followed to temper the rise of the electronic gods – those which have been raised to supremacy by their human creators. Feeling that the Old Gods have left them, the humans have felt this overwhelming need to raise another in its place – this time, by their own creation – or so they think. It was not until the fantasy enthusiasts and Lovecraftian Necronomicon readers started getting together with the science-fiction and Sitchin-eqsue circles in the late 1970’s that the “mainstream population” outside of the orders like the Golden Dawn or O.T.O. were given a chance to understand what was already known in the underground for thousands of years – the existence and nature of the Anunnaki!
After the rise of the Hermetic Order of the Golden Dawn in the late 1800’s (and perhaps also such groups as the Theosophical Society) the metaphysical world of the mystics would seem to begin appearing in the public spotlight, or at the very least carry an illusion of being maintained in public view…
…with this followed the widespread use of medieval grimoires – many of them somehow involved with figures like MacGregor Mathers and Aleister Crowley. Organizations relating to these individuals, such as the GD (Golden Dawn), OTO (Ordo Templi Orientis) and the lesser known AA (Argentium Astrum) begin to influence mystical practices and underground traditions among the multitudes on the surface world.
Naturally we are concerned foremost with the content of the Babylonian derived Necronomicon Anunnaki Bible of the Mardukite Chamberlains and its interconnected relationship to the Great Mysteries. However, the association of modern pseudoepigrapha (literally artificial writings) is not limited simply to a book called the “Necronomicon” – for such is just a name, as is “Al Azif” – or anything else we want to definitively give a solid form too – that which cannot be solidified – that which has not meant to be solidified…
“El Club Dumas” was released in Spain in 1993. The American English-speaking audience would have to wait three years to find “The Club Dumas” on their shelves. The literary version by Arturo Perez-Reverte became doomed to be lost amidst the mysteries of Agatha Christie and Sue Grafton and did not receive the same pop-culture attention as its motion picture under a different title.
The main character of the novel, Corso, set in a dusty environment of Antiquarian book-selling, is on a quest to uncover the truth of a lost fragment or chapter of the serial by Alexander Dumas, the famous “Three Musketeers”. In the course of events, Corso is culled into a different kind of quest… and there are surprisingly more people aware of the influence of this modern tale then you might originally suspect, for it is also known by another name – the name:
From its Spanish edition we deduce the title “Nine Doors to the Kingdom of Darkness,” though the American language version prefers “Gates” to “portals” – and thus too, the “Shadows” to the “Darkness.” American audiences are also more receptive to video media then literary and thus was probably the inclination Roman Polanski carried with him in filming “The Ninth Gate” with Johnny Depp, released in 1999. Depp’s performance is astounding as always and the woodcarved engravings that are so paramount to the film are taken directly from the illustrations found in Reverte’s novel.
It would surprise many occultists to note that the vein of pseudoepigrapha runs deep within the mystic stream – reaching all too familiar works as the “Keys of Solomon” or even the “Book of Abramelin” – it comes by no surprise that we should see the rise within this age of more tales of such “books within books” – “fantasies about fantasies” – for we have undoubtedly reached our ends in the world of Light and must by necessity reach out to the Shadows…
Assuming the lore of the Nine Gates, let us say that the work is based on yet too another book – furthering our psyche down the literary rabbit hole.
The DELOMELANICON (which is unarguably another vision of the Necronomicon Cycle) is a book reported to have been written by the “Devil himself” as a guide to “his followers.” The work, said to have once been in the possession of King Solomon, reaches the realm of Medieval Sorcery in 1666 by Aristide Torchia, who publishes his version of the “Devil’s Notebook” as “De Umbrarum Regni Novem Portis.” Both Torchia and all but three copies of this work are burned by the Church.
The title, “Delomelanicon,” the current editor translates to mean “Book of Summoning the Darkness” (very similar to the coveted but equally fantasy-based witches Book of Shadows) although some Chamberlains have preferred the translation “Invocation of Darkness” [as given in the Soto translation to English].
If we lend a thought to this for a moment, leaving the trappings of semantic vocabulary and verification of medieval sorcerer’s grimoires aside – consider a book then that has been given to a class of followers of an entity contrary to the accepted “God On Duty” – considered a devil to one side and a savior to the other.
Immediately, when thinking of the politics that arose in ancient Mesopotamia, beings like MARDUK and ENKI are immediately conjured to mind – or some specific alien intelligence that might have reason for leading folks back through the Gates. And if they would indeed be hidden in folds “between” the Realm or Reality of Light we see everyday, then they would most certainly belong to the Shadows – and the spaces between spaces.
The archetype conjured to mind by the “Nine Gates” is very similar to the Necronomicon. There is, at the very least, an obvious emphasis on the symbolism of “portals”, “thresholds” and “gateways” – such as is inseparably paramount to this lore. Following the esoteric and occult traditions, the “Gates” are introduced to the Seeker under the guise of “Darkness,” because such was (and remains to be) the perception of what is “forbidden” and “hidden” knowledge – at least from the perspective of the Realm of Light…
As the underground esoteric authority on the Mesopotamian Necronomicon Tradition and its Mardukite Babylonian Anunnaki legacy, Joshua Free—and the Mardukite Chamberlains—are resurgent into public view, reintroducing a new generation of Truth Seekers to the once underground source book of the modern Babylonian Mardukite Tradition—
—Necronomicon of Joshua Free (Liber N)
Mardukite NecroGate 