For the first time since 2011, the Mardukite Truth Seeker Press is proud to offer the “Babylonian Magick” special arrangement Limited Edition Hardcover Grimoires — limited to ONLY 50 copies printed, numbered and signed by editor Joshua Free!
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THIS IS A LIMITED TIME SENSITIVE OFFER!!!
PRE-ORDER SPECIAL ARRANGEMENT ITEM ONLY!!!
LIMITED EDITION HARDCOVER
BABYLONIAN MAGICK – a grimoire – edited by Joshua Free Oversized! — 8.25″ x 10.75″
250 PAGES — illustrated, signed, numbered
BABYLONIAN MAGICK — A Grimoire of the Rites & Rituals of the Mardukite Anunnaki Tradition, first appeared in paperback as the 2012 Ceremonial Edition of “Mardukite Magick“ and is now being reissued by the Mardukite Truth Seeker Press in a special hardcover limited edition printing to commemorate the 5th Anniversary of the 2009 Beltane Mardukite Stargate ceremonial observance.
ONLY 50 COPIES of this limited edition numbered and signed hardcover grimoire will be made available to the public and Mardukite Chamberlains alike during this limited time offering!
Previous limited edition numbered hardcover editions of Mardukite Necronomicon publications have now been found selling for over $1500 online and on eBay! Don’t miss out on this incredible opportunity and investment into the Modern Mardukite Anunnaki Legacy!
Highly sought after “Necronomicon Spellbook” heritage editions of Joshua Free’s underground bestselling Mardukite 2011 (Year-3) ‘Necronomicon Workbook’ and ‘Mesopotamian Magic’ cycle of materials returns in print and available to the public!
The Necronomicon Spellbook Trilogy combines to form a masterpiece archival library collection of mystical exploration into the heart of the ancient Mesopotamian Mysteries, this complete practical companion to the Mardukite “Necronomicon Anunnaki Cycle” illuminates the revolutionary teachings and source materials of the Modern Sumerian-Babylonian-Anunnaki Tradition of the Mardukite Chamberlains (Ordo Nabu Maerdechai), edited by Joshua Free, the presiding Nabu of the organization since its inception.
NECRONOMICON SPELLBOOK I The Magan Tablets of Magick & Creation
by Joshua Free
2011 — Year-3 Liber E
The Magan Text… The Enuma Elis… Long thought to be the fantastic concoction of wishful-thinkers, the fundamental basis for the mystical, magical and spiritual tradition born of Ancient Mesopotamia has come to life! Cuneiform tablet records of magick and creation are drawn together to reconstruct the most antiquated, powerful and legendary “magician’s primer” ever known to the minds of men — formulated by the ancient Sumerians and Babylonians!
NECRONOMICON SPELLBOOK II Maqlu Magick & The Dark Arts of Babylon
by Joshua Free
2011 — Year-3 Liber M
The Maqlu Tablets… An authentic “Necronomicon Spellbook” of Mesopotamian Magick drawn from the sands of Babylonia — as known to the Sumerians then reinvented in Babylon — forming a complete Anunnaki (‘alien sky god’) “grimoire” — a complete handbook dedicated to Enki, Marduk and Samas (Shammash) and used by magicians and priests for thousands of years to combat in wizards’ duels, reverse the effects of evil spells and curses, banish disease and nightmares, and conjure the protection and blessings of the gods!
NECRONOMICON SPELLBOOK III Crossing to the Abyss & The Underworld
by Joshua Free
2011 — Year-3 Liber C
To the Beyond… By whatever names it has been given, the part of this ‘advanced’, ‘esoteric’ or ‘inner circle’ work connected directly to the “Other”, in whatever tradition it is realized from, is the highest part of the ‘Great Work’ – that which all the rest seemingly culminates into or points toward. It has been considered ‘divine communication’ by some and ‘trafficking with the devil’ to others – but regardless of the view taken, the knowledge and experience of these crossings is never held without some regard, for better or worse!
In 2009, the Mardukite Chamberlains began releasing their underground publications as part of an extraordinarily extensive version of what many people’s debut into the realm of Mesopotamian esoterica had been – the NECRONOMICON.
The newly re-released nostalgia editions of the Year-3 “Necronomicon Spellbook” series make an excellent compliment to the 2009 nostalgia edition reissues of the original Year-1 “Necronomicon Anunnaki Bible” cycle of materials also available from the Mardukite Truth Seeker Press.
The original versions of the 2009 ‘Mardukite Core’ were all elaborately designed limited edition handcrafted tomes that later only appeared in the consolidated anthology titled ‘Necronomicon Anunnaki Bible’. It consisted of the ‘Necronomicon (of Joshua Free)’ (Liber-N) in June of 2009 and three subsequent titles, ‘Necronomicon Liturgy & Lore’ (Liber-L), the ‘Necronomicon Gatekeeper’s Grimoire’ (Liber-G) and the ‘Nine Gates of the Kingdom of Shadows’ or ‘Necronomicon Shadows’ (Liber-9).
The stories that fueled the public knowledge of the Necronomicon are highly influenced by the writings of H.P. Lovecraft. His own perceptions may or may not even be related in his work, for Lovecraft seemed to downplay the impact that his work should inspire and attributed all of his inspiration to dreams and night-mares.
THE TRUTH ABOUT THE NECRONOMICON is revealed by Joshua Free in combination with the work and legacy of the Mardukite Research Organization (Mardukite Chamberlains) found in the Mardukite Archives.
It was only after his death that his colleagues later dubbed the paradigm the “Cthulhu Mythos” and they continued to contribute to it. The tones and ideas reflective in the Lovecraftian paradigm are not only restricted to a book called the Necronomicon, but to an entirely new, alternative, counter-culture and ‘dark’ motif from which to view the world and life experience.
—Joshua Free, Liber 555
According to Lovecraft’s work, the primordial world is essentially “chaos” and the ‘gods’ which do battle in times forgotten will later have an impact on the psyche and life of those today. In fact, the entire ‘occult’ basis for the Lovecraftian paradigm is a devotion and ‘worship’ of this prehistoric ‘gods’.
The Great Old Ones being replaced by the Elder Gods becomes arbitrary when, following with Lovecraft’s perspective, there are those who secretly worship and feed these ‘evil’ gods throughout the ages in ‘cults’ – groups which seek to bring the Great Old Ones back into our time-space. This would effectively destroy the universe as we know it, returning it back to something reminiscent of the primordial ooze from which it has sprouted and devel-oped. This bleak and shadowy worldview is what drives the ‘horrific’ tales of not only Lovecraft’s work but anything that has been attached to it since, in oth-er literature, ‘rock bands’ and the like.
From the Lovecraftian perspective, the Necronomicon is an evil book that worshipers of these ancient cults use to honor the Great Old Ones (or Ancient Ones) in spite of their complete distaste for the human race and the fact the inviting such forces and energetic currents back into the realm that we know would be devestat-ing for all humanity. Of course, the teen-angst punker anarchist mindset doesn’t care about such things. The only aspect that would matter to these kinds of people is the fact that our world could be thrown into a state of discordia – and for many, this is what takes priority.
How any of these kinds of people can consider their left-handed and chaotic-evil pathways as any kind of true self-honest path to absolute enlightenment and the source is beyond me – though they will claim to be doing so; claiming that it somehow ‘suits’ them better and that everyone else is doing it wrong. Then they go back to their hedonism, narcissism, and pleasure seek-ing without any regard, always validating in their mind that they are “right” in their ways.
Being ‘stuck’ in old patterns is not simply restricted to the Necronomicon or even ‘mystical’ aspects in general. For similar reasons the modern “Mardukite” movement is predominantly made up of people who are in their twenties – or younger! Why? Because the new and next generations are not as interested in knowing things in the ‘fragmented’ way in which our parents may have been satisfied. The ‘older’ generations have no reason to change because they have had a far longer time to validate that things ‘are the way they are’ and who am I or anyone else to tell them different…
The concept of H.P. Lovecraft’s Necronomicon became inseparable from what literary fans and contributors would later call the “Cthulhu Mythos,” which was not really intended as a functional pantheon in itself, but was really a part of a cycle composing Lovecraft’s final works…
CTHULHU first appeared to the public in 1925 (by general consensus), a year after Lovecraft’s marriage. In this new cycle, he sought to give more definite forms to the thoughts and visions that had haunted his life prior. He sought to make sense of the universal reality as it had affected him – as his personal experience has dictated it to be so. Not surprisingly, this cycle of literature was just as sporadic and sparse as his earlier works – one must remember that they were being published as serials in a magazine called Weird Tales, and few of them are book-length as stand alone works.
CALL OF CTHULHU is a short story that debuts the figure that has now become a very familiar name among the left-hand-path, which is to say the “darker” and more “rebellious” aspects of the occult. One really is led to wonder what enlightenment is meant to be gained through the blatant disregard for natural order, preferring the love of chaos. Nonetheless, the darker aspects of the “mythos” are what has attracted the attention. This is not surprising given the retail attention given to such topics. A fluffier book on self-help candle meditation methods using incense and bath soaps has an appeal to lonely housewives, but for those who seek a more antagonistic approach to the “rebellious” nature that results from gleaning the “reality deception,” the system always provides.
CALL OF CTHULHU is essentially a “detective mystery” where-by the rites and activities of a very modern and active “Cthulhu Cult” are unveiled. While the esoteric lore and occult mystery runs deep, just as with any well-established cult in history, the means of enlightenment by “hippie” methods of free love, drunken orgies and the like, certainly leave much to be desired – though many do. Celebration of the lower is hardly a means to the high-er – those who mistake the secret power embedded very intentionally into the “sex gate” will find the experience to be just as physically, emotionally and spiritually disturbing and damaging as any of the other “gates” alluded to throughout the universal NECRONOMICON cycle. This is not to say there is not some validity to the methods – but the human psyche seems to muddle the “sexual” energies, and so it is not a preferred method to instruct in (or at least certainly not at the “neophyte” levels of occult instruction).
What can we say for humans? They were programmed to enjoy fucking so you wouldn’t confuse it with the act of killing – and the emotional charge to try make rational sense of both. If sex wasn’t made to feel good, for at the very least “evolutionary” purposes, the human race would have bred itself out into extinction a long time ago. The race has grown to hate each other, itself and everything “apart” from itself. How dismal, indeed – perhaps Lovecraft had a point or two after all.
“The most merciful thing in the world, I think, is the inability of the human mind to correlate all it contains. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piercing together of dissociated knowledge will open up such terrifying vistas of reality, and our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.” ~H.P. Lovecraft, Call of Cthulhu
“Within post-Christian era mystical accounts, such as we see with the Medieval and Dark Age era grimoires of the period, the magick and traditions are reflective to a ‘polarity’ that does not actually exist.”
— Joshua Free, Liber 555
WHAT IS REAL??? — the entire idea behind ‘devil worship‘ and ‘satanism‘ (or the entire ‘left-hand’ interpretation of reality, as a whole) is entirely dependent on the existence of these beings as they are generally understood – something which only came about as a result of the Judeo-Christian level of consciousness that came to occupy the masses.
Prior to this ‘introduction’ of the ‘devil’ by Christian standards it would have been completely impossible to have proper ‘devil worship‘ or ‘satanism‘. The entire mythology that people are most likely to know regarding these matters is Hebrew and Christian in origin, making suggestion toward an understanding of the world based on a moral or ethical dualism that is not at all present in the traditions and writings of the more antiquated ancient world.
“Humans have always had a predilection to ‘patron’ one face of divinity over another. Such is programmed into their being and similarly the way in which ‘order’ was first introduced to the most ancient of the modern human civilizations. The idealism of monotheism is not as prevalent in the ancient world either.” — Joshua Free, Liber-555
While all mystics and spiritualists understood the concept of the ‘unifying’ and ‘supreme’ force that tied all existence together, they also understood that such did not
make a direct ‘physical’ and ‘singular’ presence in the material ‘level’ of perception encountered everyday. Therefore, there was no confusion about the nature of the ‘divinity‘ held by ancient men in their encounters with the ‘ancient gods’.
“The idea that the Necronomicon emphasizes ‘darkness’ or that it is an ‘evil’ book all stems from the idea of it reflecting a pre-Christian ideal from the ancient world that immediately is dubbed ‘pagan’ or ‘satanic’ when reflected in a Judeo-Christian light.”
If the NECRONOMICON is ‘evil’, then it would be ‘evil’ in the same light as all ‘neo-pagan’ reconstructions including Celtic Druidism, Norse Shamanism and obviously any of the pantheons and cultural traditions being revived by Wiccans and members of other ‘sects’, ‘societies’ and ‘orders’ in the occult realm of society.
Most of the ‘forbidding’ nature connected to the NECRONOMICON comes first and foremost from the ‘air’ that it carries, remnant of the literary styling H.P. Lovecraft attached to it and then secondly, from the overtones given to the ‘occult’ in the 1970’s for the release of the Simon Necronomicon – and even the very marketing of the book as that name and the ‘dangerous’ and ‘forbidding’ aura that the title carries…
LIMITED EDITION HARDCOVER
Mardukite NecroGate 